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	<title>Dmitry's Pulse &#187; 2008 &#187; October</title>
	<atom:link href="http://stillermann.com/pulse/2008/10/feed/" rel="self" type="application/rss+xml" />
	<link>http://stillermann.com/pulse</link>
	<description>Proving to the world that I am still alive</description>
	<pubDate>Mon, 22 Mar 2010 16:47:50 +0000</pubDate>
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	<language>en</language>
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		<copyright>&#xA9;Dmitry Stillermann </copyright>
		<managingEditor>dmitry@stillermann.com (Dmitry Stillermann)</managingEditor>
		<webMaster>dmitry@stillermann.com(Dmitry Stillermann)</webMaster>
		<category></category>
		<ttl>1440</ttl>
		<itunes:keywords></itunes:keywords>
		<itunes:subtitle>Proving to the world that I am still alive</itunes:subtitle>
		<itunes:summary></itunes:summary>
		<itunes:author>Dmitry Stillermann</itunes:author>
		<itunes:category text="Music"/>
<itunes:category text="Kids &amp; Family"/>
		<itunes:owner>
			<itunes:name>Dmitry Stillermann</itunes:name>
			<itunes:email>dmitry@stillermann.com</itunes:email>
		</itunes:owner>
		<itunes:block>No</itunes:block>
		<itunes:explicit>no</itunes:explicit>
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			<title>Dmitry's Pulse</title>
			<link>http://stillermann.com/pulse</link>
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			<height>144</height>
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		<item>
		<title>Andy</title>
		<link>http://stillermann.com/pulse/2008/10/31/andy/</link>
		<comments>http://stillermann.com/pulse/2008/10/31/andy/#comments</comments>
		<pubDate>Fri, 31 Oct 2008 19:04:38 +0000</pubDate>
		<dc:creator>dstillermann</dc:creator>
		
		<category><![CDATA[english]]></category>

		<category><![CDATA[music]]></category>

		<category><![CDATA[podcast]]></category>

		<category><![CDATA[zappa]]></category>

		<guid isPermaLink="false">http://stillermann.com/pulse/?p=75</guid>
		<description><![CDATA[There are many reasons I dig Frank Zappa. He was an&#160;extraordinarily sane person for his profession and generally for our sorry day and age. He was the&#160;perfect role model for people who calls themselves professionals. But main reasons are of course connected to his musical legacy. His music is fun, it&#8217;s full of emotional drive [...]]]></description>
			<content:encoded><![CDATA[<p>There are many reasons I dig Frank Zappa. He was an&nbsp;extraordinarily sane person for his profession and generally for our sorry day and age. He was the&nbsp;perfect role model for people who calls themselves <i>professionals</i>. But main reasons are of course connected to his musical legacy. His music is fun, it&#8217;s full of emotional drive and, last but far from least, his music is <i>interesting</i>.</p>
<p>&#8220;Andy&#8221;, the culmination track from &#8220;One Size Fits All&#8221;, arguably one of Zappa&#8217;s best albums ever, is a good example of all those traits.  Being a pinnacle of the whole album, it both drives the emotional tension to its maximum and abruptly resolves this tension in the end (flowing into powerful yet peaceful &#8220;Sofa No.&nbsp;2&#8243;, a usual way for Zappa to finish his albums). &#8220;Andy&#8221; sounds very much like an art rock piece, neurotic and ornamental, with ragged machine-gun-tempo rhythms overlapping the&nbsp;main lines (remember, this was written long before IDM).</p>
<p>Structurally, this is sufficiently more elaborate compared to standard jazzy theme-and-variations that it can easily be interpreted as a full-fledged sonata form. Look for yourself: introduction, first theme exposition (&#8221;is there anything good inside of you&#8221;), bridge built from the&nbsp;intro motive, second theme exposition (&#8221;show me a&nbsp;sign&#8221;), development section (first theme restatement, motivic variation on the second theme, first solo), first and second theme recapitulation, and, finally, a&nbsp;coda&nbsp;&mdash; the&nbsp;second solo that absolutely blows you away.</p>
<p>Clearly, this is not a&nbsp;sonata form as they define it in the&nbsp;textbooks&nbsp;&mdash; there are two hooks that really stand out (Haydn would probably disapprove, Beethoven would probably not give a damn). One hook is in first theme exposition&nbsp;&mdash; a&nbsp;blues-rock lick heavy as a&nbsp;Hummer. Another hook is the&nbsp;end of second theme recap, where Napoleon Murphy cries &#8220;Andy&#8221; in his nasty, reedy voice&nbsp;&mdash; but the tension is so high by this point and the&nbsp;whole band stops so abruptly that, if your heart doesn&#8217;t stop at this cry, you probably don&#8217;t have any heart at all.</p>
<p>I love &#8220;Andy&#8221; probably more than any other track on this magnificent album (including even the &#8220;Inca Roads&#8221; masterpiece). Enjoy it.</p>
]]></content:encoded>
			<wfw:commentRss>http://stillermann.com/pulse/2008/10/31/andy/feed/</wfw:commentRss>
			<enclosure url="http://stillermann.com/audio/fz-andy.mp3" length="5591829" type="audio/mpeg"/>
<itunes:duration>6:04</itunes:duration>
		<itunes:subtitle>There are many reasons I dig Frank Zappa. He was an#160;extraordinarily sane person for his profession and generally for our sorry day and age. He ...</itunes:subtitle>
		<itunes:summary>There are many reasons I dig Frank Zappa. He was an#160;extraordinarily sane person for his profession and generally for our sorry day and age. He was the#160;perfect role model for people who calls themselves professionals. But main reasons are of course connected to his musical legacy. His music is fun, it's full of emotional drive and, last but far from least, his music is interesting.
"Andy", the culmination track from "One Size Fits All", arguably one of Zappa's best albums ever, is a good example of all those traits.  Being a pinnacle of the whole album, it both drives the emotional tension to its maximum and abruptly resolves this tension in the end (flowing into powerful yet peaceful "Sofa No.#160;2", a usual way for Zappa to finish his albums). "Andy" sounds very much like an art rock piece, neurotic and ornamental, with ragged machine-gun-tempo rhythms overlapping the#160;main lines (remember, this was written long before IDM).
Structurally, this is sufficiently more elaborate compared to standard jazzy theme-and-variations that it can easily be interpreted as a full-fledged sonata form. Look for yourself: introduction, first theme exposition ("is there anything good inside of you"), bridge built from the#160;intro motive, second theme exposition ("show me a#160;sign"), development section (first theme restatement, motivic variation on the second theme, first solo), first and second theme recapitulation, and, finally, a#160;coda#160;#8212; the#160;second solo that absolutely blows you away.
Clearly, this is not a#160;sonata form as they define it in the#160;textbooks#160;#8212; there are two hooks that really stand out (Haydn would probably disapprove, Beethoven would probably not give a damn). One hook is in first theme exposition#160;#8212; a#160;blues-rock lick heavy as a#160;Hummer. Another hook is the#160;end of second theme recap, where Napoleon Murphy cries "Andy" in his nasty, reedy voice#160;#8212; but the tension is so high by this point and the#160;whole band stops so abruptly that, if your heart doesn't stop at this cry, you probably don't have any heart at all.
I love "Andy" probably more than any other track on this magnificent album (including even the "Inca Roads" masterpiece). Enjoy it.</itunes:summary>
		<itunes:keywords>english,,music,,podcast</itunes:keywords>
		<itunes:author>Dmitry Stillermann</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>Cripple and The Starfish</title>
		<link>http://stillermann.com/pulse/2008/10/26/cripple-and-the-starfish/</link>
		<comments>http://stillermann.com/pulse/2008/10/26/cripple-and-the-starfish/#comments</comments>
		<pubDate>Sun, 26 Oct 2008 18:18:46 +0000</pubDate>
		<dc:creator>dstillermann</dc:creator>
		
		<category><![CDATA[english]]></category>

		<category><![CDATA[music]]></category>

		<category><![CDATA[podcast]]></category>

		<category><![CDATA[antony]]></category>

		<category><![CDATA[cabaret]]></category>

		<category><![CDATA[dark]]></category>

		<guid isPermaLink="false">http://stillermann.com/pulse/?p=64</guid>
		<description><![CDATA[I&#8217;m not very much into Antony and the Johnsons, being aware of them as mostly yet another act within David Tibet&#8217;s extremely broad and encompassing traveling circus. Until now, my absolute favorite of Antony&#8217;s output was his unintelligible back vocals on &#8220;Whilst the Night Rejoices Profound and Still&#8221; from Current&#8217;s 2003 Teatro Iberico show, which [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;m not very much into Antony and the Johnsons, being aware of them as mostly yet another act within David Tibet&#8217;s extremely broad and encompassing traveling circus. Until now, my absolute favorite of Antony&#8217;s output was his unintelligible back vocals on &#8220;Whilst the Night Rejoices Profound and Still&#8221; from Current&#8217;s 2003 Teatro Iberico show, which made the emotion underlying Tibet&#8217;s declamation so obvious and explicit. However, Antony&#8217;s tracks appear on my radar from time to time and I don&#8217;t discard them automatically, as do many.</p>
<p>About a year ago someone (Vova Dmitrenko, I recall) shared Antony&#8217;s &#8220;Behold the Lamb of God&#8221; demo cassette, on which I found this particular track. It&#8217;s very Antony-esque, being so explicit and disgusting in its imagery and so subtle and sincere in its musical delivery. I often use such material as a cure to my emotional lows, but generally you don&#8217;t have to be in distress to enjoy Antony.</p>
]]></content:encoded>
			<wfw:commentRss>http://stillermann.com/pulse/2008/10/26/cripple-and-the-starfish/feed/</wfw:commentRss>
			<enclosure url="http://stillermann.com/audio/antony-crippleandthestarfish.mp3" length="6084608" type="audio/mpeg"/>
<itunes:duration>4:13</itunes:duration>
		<itunes:subtitle>I'm not very much into Antony and the Johnsons, being aware of them as mostly yet another act within David Tibet's extremely broad and encompassing ...</itunes:subtitle>
		<itunes:summary>I'm not very much into Antony and the Johnsons, being aware of them as mostly yet another act within David Tibet's extremely broad and encompassing traveling circus. Until now, my absolute favorite of Antony's output was his unintelligible back vocals on "Whilst the Night Rejoices Profound and Still" from Current's 2003 Teatro Iberico show, which made the emotion underlying Tibet's declamation so obvious and explicit. However, Antony's tracks appear on my radar from time to time and I don't discard them automatically, as do many.
About a year ago someone (Vova Dmitrenko, I recall) shared Antony's "Behold the Lamb of God" demo cassette, on which I found this particular track. It's very Antony-esque, being so explicit and disgusting in its imagery and so subtle and sincere in its musical delivery. I often use such material as a cure to my emotional lows, but generally you don't have to be in distress to enjoy Antony.</itunes:summary>
		<itunes:keywords>english,,music,,podcast</itunes:keywords>
		<itunes:author>Dmitry Stillermann</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>Dawn Landes</title>
		<link>http://stillermann.com/pulse/2008/10/22/dawn-landes/</link>
		<comments>http://stillermann.com/pulse/2008/10/22/dawn-landes/#comments</comments>
		<pubDate>Wed, 22 Oct 2008 18:15:41 +0000</pubDate>
		<dc:creator>dstillermann</dc:creator>
		
		<category><![CDATA[english]]></category>

		<category><![CDATA[music]]></category>

		<category><![CDATA[podcast]]></category>

		<category><![CDATA[singer-songwriter]]></category>

		<guid isPermaLink="false">http://stillermann.com/pulse/?p=23</guid>
		<description><![CDATA[Her album &#8220;Dawn&#8217;s Music&#8221; was recommended to me by Amazon, based on my passion for Puerto Muerto. She&#8217;s a singer-songwriter from Louisville, KY. Treated myself to a couple of her albums (&#8220;Dawn&#8217;s Music&#8221; and &#8220;Fireproof&#8221;) and a live session bootleg. Not impressive overall (should I say, &#8220;bordering on anemia&#8221;), but a quality product if you [...]]]></description>
			<content:encoded><![CDATA[<p>Her album <a href="http://www.amazon.com/Dawns-Music-Dawn-Landes/dp/B001DZA2Q8/" >&#8220;Dawn&#8217;s Music&#8221;</a> was recommended to me by Amazon, based on my passion for Puerto Muerto. She&#8217;s a singer-songwriter from Louisville, KY. Treated myself to a couple of her albums (<a href="http://www.amazon.com/Dawns-Music-Dawn-Landes/dp/B001DZA2Q8/" >&#8220;Dawn&#8217;s Music&#8221;</a> and <a href="http://www.amazon.com/Fireproof-Dawn-Landes/dp/B000U1ZIJC/" >&#8220;Fireproof&#8221;</a>) and a live session bootleg. Not impressive overall (should I say, &#8220;bordering on anemia&#8221;), but a quality product if you like this kind of stuff. Attached sample is from the live session &mdash; I <i>didn&#8217;t</i> like her studio band and male back vocals <i>at all</i>, while during live sessions she sounds much more sincere and authentic.</p>
]]></content:encoded>
			<wfw:commentRss>http://stillermann.com/pulse/2008/10/22/dawn-landes/feed/</wfw:commentRss>
			<enclosure url="http://stillermann.com/audio/dawnlandes-mudandstars-live.mp3" length="2176788" type="audio/mpeg"/>
<itunes:duration>2:40</itunes:duration>
		<itunes:subtitle>Her album "Dawn's Music" was recommended to me by Amazon, based on my passion for Puerto Muerto. She's a singer-songwriter from Louisville, KY. Treated myself ...</itunes:subtitle>
		<itunes:summary>Her album "Dawn's Music" was recommended to me by Amazon, based on my passion for Puerto Muerto. She's a singer-songwriter from Louisville, KY. Treated myself to a couple of her albums ("Dawn's Music" and "Fireproof") and a live session bootleg. Not impressive overall (should I say, "bordering on anemia"), but a quality product if you like this kind of stuff. Attached sample is from the live session #8212; I didn't like her studio band and male back vocals at all, while during live sessions she sounds much more sincere and authentic.</itunes:summary>
		<itunes:keywords>english,,music,,podcast</itunes:keywords>
		<itunes:author>Dmitry Stillermann</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>Approaching Koivisto from Mannola</title>
		<link>http://stillermann.com/pulse/2008/10/21/approaching-koivisto-from-mannola/</link>
		<comments>http://stillermann.com/pulse/2008/10/21/approaching-koivisto-from-mannola/#comments</comments>
		<pubDate>Tue, 21 Oct 2008 20:25:58 +0000</pubDate>
		<dc:creator>dstillermann</dc:creator>
		
		<category><![CDATA[english]]></category>

		<category><![CDATA[personal]]></category>

		<category><![CDATA[family]]></category>

		<category><![CDATA[kiperort]]></category>

		<category><![CDATA[koivisto]]></category>

		<category><![CDATA[photo]]></category>

		<category><![CDATA[retreat]]></category>

		<category><![CDATA[summer]]></category>

		<guid isPermaLink="false">http://stillermann.com/pulse/2008/10/21/approaching-koivisto-from-mannola/</guid>
		<description><![CDATA[
Approaching Koivisto from Mannola, originally uploaded by piggymouse.
This is how it looked like on the last day of my summer break, as I was going 8km from Putus to Koivisto a.k.a. Primorsk to catch the bus to St.Pete.
]]></description>
			<content:encoded><![CDATA[<div style="text-align: left; padding: 3px;"><a title="photo sharing" href="http://www.flickr.com/photos/piggymouse/2962595108/"><img style="border: solid 2px #000000;" src="http://farm4.static.flickr.com/3187/2962595108_42e647dd59.jpg" alt="" /></a></p>
<p><span style="font-size: 0.8em; margin-top: 0px;"><a href="http://www.flickr.com/photos/piggymouse/2962595108/">Approaching Koivisto from Mannola</a>, originally uploaded by <a href="http://www.flickr.com/people/piggymouse/">piggymouse</a>.</span></div>
<p>This is how it looked like on the last day of my summer break, as I was going 8km from Putus to Koivisto a.k.a. Primorsk to catch the bus to St.Pete.</p>
]]></content:encoded>
			<wfw:commentRss>http://stillermann.com/pulse/2008/10/21/approaching-koivisto-from-mannola/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Wolfpen Hollow</title>
		<link>http://stillermann.com/pulse/2008/10/21/wolfpen-hollow/</link>
		<comments>http://stillermann.com/pulse/2008/10/21/wolfpen-hollow/#comments</comments>
		<pubDate>Tue, 21 Oct 2008 16:24:24 +0000</pubDate>
		<dc:creator>dstillermann</dc:creator>
		
		<category><![CDATA[english]]></category>

		<category><![CDATA[music]]></category>

		<category><![CDATA[podcast]]></category>

		<category><![CDATA[puerto muerto]]></category>

		<category><![CDATA[singer-songwriter]]></category>

		<guid isPermaLink="false">http://stillermann.com/pulse/?p=15</guid>
		<description><![CDATA[For sure, Puerto Muerto are the very best singers-songwriters on the market right now.
]]></description>
			<content:encoded><![CDATA[<p>For sure, Puerto Muerto are the very best singers-songwriters on the market right now.</p>
]]></content:encoded>
			<wfw:commentRss>http://stillermann.com/pulse/2008/10/21/wolfpen-hollow/feed/</wfw:commentRss>
			<enclosure url="http://stillermann.com/audio/puertomuerto-wolfpenhollow.mp3" length="4789553" type="audio/mpeg"/>
<itunes:duration>3:59</itunes:duration>
		<itunes:subtitle>For sure, Puerto Muerto are the very best singers-songwriters on the market right now. </itunes:subtitle>
		<itunes:summary>For sure, Puerto Muerto are the very best singers-songwriters on the market right now.</itunes:summary>
		<itunes:keywords>english,,music,,podcast</itunes:keywords>
		<itunes:author>Dmitry Stillermann</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>Shaun The Sheep</title>
		<link>http://stillermann.com/pulse/2008/10/21/shaun-the-sheep/</link>
		<comments>http://stillermann.com/pulse/2008/10/21/shaun-the-sheep/#comments</comments>
		<pubDate>Tue, 21 Oct 2008 15:17:23 +0000</pubDate>
		<dc:creator>dstillermann</dc:creator>
		
		<category><![CDATA[english]]></category>

		<category><![CDATA[music]]></category>

		<category><![CDATA[podcast]]></category>

		<category><![CDATA[family]]></category>

		<category><![CDATA[kids]]></category>

		<category><![CDATA[pop]]></category>

		<guid isPermaLink="false">http://stillermann.com/pulse/?p=12</guid>
		<description><![CDATA[The Shaun series is Eugene&#8217;s new favorite.
]]></description>
			<content:encoded><![CDATA[<p>The Shaun series is Eugene&#8217;s new favorite.</p>
]]></content:encoded>
			<wfw:commentRss>http://stillermann.com/pulse/2008/10/21/shaun-the-sheep/feed/</wfw:commentRss>
			<enclosure url="http://stillermann.com/audio/shaunthesheep-lifesatreat-topoftheflocksmix.mp3" length="6060815" type="audio/mpeg"/>
<itunes:duration>2:31</itunes:duration>
		<itunes:subtitle>The Shaun series is Eugene's new favorite. </itunes:subtitle>
		<itunes:summary>The Shaun series is Eugene's new favorite.</itunes:summary>
		<itunes:keywords>english,,music,,podcast</itunes:keywords>
		<itunes:author>Dmitry Stillermann</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
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